After completing her dance training, notably with Groupe Nouvelle Aire, Louise Bédard was quickly noticed as a talented performer.

She is also one of the founding members of Circuit-Est Centre Chorégrahique[1] and has been a guest professor at the Université du Québec à Montréal Dance Department from 2006 to 2010.

Perspectives possibles and Braise blanche (1990) were among the company’s first productions followed by a male quartet, Les Métamorphoses clandestines (1992) and a women’s quintet Vierge noire (1993).

In 1996, Louise Bédard Danse was awarded the Seine-Saint-Denis International Choreographer’s prize for her sextet creation Dans les fougères foulées du regard, and also received the Chalmers National Dance Award (1997) for both Cartes postales de Chimère and Dans les fougères foulées du regard.

In 2011, Louise Bédard initiated a new choreographic cycle entitled Séries solos a group of “on-site” dances presented until 2015 in over 30 events (Québec, France).

Finally, in March 2016, Bédard began constructing her woman’s quintet, La Démarquise a work dedicated to the recognition of her identity as a female.

Noted in the nomination was Louise Bédard’s constantly renewed contribution to Montréal’s artistic landscape, in particular Série Solos and the re-creation of Cartes postales de Chimère.