In 1976, she made her debut as a playwright by participating in the creation of the play Chu pour rien, chu contre toute, a collective creation in which she worked with Marthe Boisvert, Jacques Couture, André Saint-Pierre, and Marc Thibault.
Her plays Le champ[7] (1996) and Pension Vaudou[8] (2000) have been translated into Spanish and performed in Mexico.
She denounced Quebec theatre and cinema, which, according to her, leaves no room on stage or on screen for women who are aging.
She criticized the fact that actresses often die tragically, thus leaving their place on screen or on stage to younger women.
She was offended by the fact that at 63, she no longer has the chance to act or, when she does, her character dies early in the story.