Her German songs, or Lieder, were written in an accessible style akin to folk music and were popular.
She reached the public by writing in an easily accessible, folksy style,[3] combining memorable melodies with simple piano accompaniments.
[3] "Despite these gender restrictions, Reichardt strongly influenced musical life in Hamburg through her composing, teaching, and behind-the-scenes conducting.
[3] Reichardt’s husband-to-be, the writer Friedrich August Eschen [de], suddenly died before their wedding.
[4] From then on, Reichardt dedicated herself to her students in Hamburg, and toward the end of her life, she became intensely religious, composing two books of sacred songs.