Following the release of the album the group announced a hiatus to focus on all three individual solo projects.

[5] Former Island Def Jam boss L.A. Reid, a big N-Dubz fan, then arranged a meeting with the group with the intention of signing the trio to his label.

Gavin Martin of the Daily Mirror gave the album a three star rating, deeming it upbeat and boisterous.

Martin felt that "[the album's] quality wavers but Transatlantic studio muscle and tracks like 'Toot It and Boot It' may see an advance on [N-Dubz's] U.S.

"[1] Fraser McAlpine from NME said of the album: "What N-Dubz try to express as anthemic wisdom always seems to come out braggier and shoutier than they mean to.

"[11] Killian Fox of The Observer felt that for all the album's dynamism, it feels like a formula-driven move, and its insistence on having fun wears thin.

[13] While Fiona Sheperd of The Scotsman said that Love.Live.Life oscillates between processed mulch such as "Love Sick" and more successful grime crossover tracks like "So Alive".