Luanne Martineau (born 1970) is a contemporary, multimedia Canadian artist best known for her hand-spun and felted wool sculptures.
She was previously an associate curator at the Art Gallery of Calgary, and later a professor of theory and curatorial studies at the University of Victoria.
Her work blurs the boundaries between craft and fine art, combining labour-intensive female handwork with questions about the politics of the body, style and ideology.
Her "drulptures" are three-dimensional felt assemblages that are not literal interpretations of the human form, but which have bodily shapes and grotesque fleshy resemblances.
[5] This exhibition was accompanied by a catalogue that included essays by Lesley Johnstone, Dan Adler, and Shirley Madill.