"[6] In that same year, she received a new work grant from the Eastern State Penitentiary for a two-channel video installation called Institute of Corrections,[7] and was a BRIC Media Arts Fellow.
[16] In 2019 Drozd received a MacDowell Colony Fellowship,[17] and she and William Lamson worked on A Continuous Stream of Occurrence, an exhibition at the Knockdown Center.
[22] Rachel Vera Steinberg said that "Using piano strings, animated projection, sheet metal, micro-controllers, motors, and drywall, Drozd’s new installation yearns for a synesthetic equalization of matter.
[23] On March 30, 2020, a photograph of Drozd creating the masks appeared in a New York Times article on the rise of crowdsourced medical equipment during the pandemic.
"[2] In November 2022, she returned to Smack Mellon with The Tenacity of a Fluid Trace, an art installation incorporating drywall, piano wire, sheet metal, and steel beams to produce sound.
[26] Gregory Volk said that he "would hardly characterize [it] as a direct response to the war, yet correspondences are evident, especially in her deep feeling and respect for matter, in contrast with Putin’s senseless destruction.