Lubin Baugin (c. 1612 – July 11, 1663) was a French painter known for a small number of still lifes, and for religious and mythological paintings.
Most of his surviving subject pictures are religious works, including numerous small paintings representing the Virgin and Child or the Holy Family.
[3] The divergence of style between Baugin's still lifes and his religious paintings is, according to the art historian Arnaud Brejon de Lavergnée, "one of the great paradoxes of seventeenth-century French art: that one and the same artist ... should have produced still-life paintings controlled by a subtly rigorous construction and learned use of rules, as well as religious and mythological subject pictures with an evidently decorative character; compounding the enigma is the fact that the still lifes are signed while the subject paintings are not.
Trevor Winkfield calls Baugin "one of the most innovative of all French still life painters",[5] and says the off-balance perspective of the Still life with Chessboard produces a "topographical alienation" reminiscent of the metaphysical art of Giorgio de Chirico.
[6] In contrast to the precise observation of Baugin's still lifes, his religious and historical paintings are stylized and graceful, showing the influence of Raphael and Parmigianino.