[11] Trouser Press called the album "absolutely wonderful," writing that, "behind Utah native Kimi Encarnacion’s strong, careening vocals—a sweetheart of falsetto yodels, yelps, nonsense syllables, whoops and delicate caresses—subtle power guitarist Jay Jay Encarnacion (her husband) and the rhythm section timewarp four decades of electric pop for an individualized set of enticing flavors.

[17] The Daily Breeze thought that the album "spills over with insidiously catchy songs put across with an intoxicating blend of power, exuberance and clarity.

"[14] The Colorado Springs Gazette-Telegraph complimented Encarnacion's "lovely voice that rises, falls and whoops in ways that might be embarrassing coming from lesser mouths.

"[4] The Los Angeles Times considered the "excellent" album to be "winsome, folk-flavored pop-rock with a knack for catchy melodies and soaring harmonies.

[15] AllMusic wrote that "the songs range from the sweet power pop of 'Ren', which has a light, jazz-inflected bridge, to the kinetic drive and drumming of 'Colossal Youth', to the tribal beat and chants that underpin the breezy 'Sundays'.