[1] Her special interests include nineteenth-century studies, intellectual and cultural history, art and politics, history and philosophy of science and interdisciplinarity theory and practice.
[2] She describes how "the appeal of physiognomy lay not so much in any of its scientific pretension but rather in how it seemed to validate an already widespread cultural conviction.
"[3] Democratising Beauty in Nineteenth-Century Britain: Art and the Politics of Public Life was published by Cambridge University Press, 2017.
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