He studied under the direction of (among others) the following colourist painters: Wladyslaw Jarocki, Fryderyk Pautsch, Jerzy Fedkowicz, Zbigniew Pronaszko, Eugeniusz Eibisch and also, temporarily, Wojciech Weiss.

He is the creator of at least 1,000 oil paintings, numerous polychromes and artistic elements of church interiors and public buildings in Upper Silesia, and also in the regions around Kraków and Białystok, as well as other places in Poland.

Following Dunikowski, with reference to compact mass and a degree of decorativeness, his sculptures are also characterized by erudition in terms of the variety of techniques used (wood, metal, stone, ceramic forms, and majolica).

This constitutes an essential characteristic and value in his works as compared with trends and directions in art in the second half of the 20th century which, on the whole, oscillated beside or beyond visible meaningful content.

Nowadays it is his earlier works that seem to be particularly valuable: despite a visible influence of the school, they contain, in a realistic form, his personal and original way of perceiving reality through fine arts.