Cluzeau Mortet, along with Alfonso Broqua, Eduardo Fabini and Vicente Ascone, a representative of the nationalist tendency that emerged in Uruguayan music in the 1910s and 20s.
[1] He played first violin for Ossodre (SODRE Symphony Orchestra) from 1931 until 1946 but had to step down due to a hearing affliction.
He wrote for the symphony orchestra several pieces of music, including, Rancherío, Poema Nativo, Llanuras, Soledad Campestre, La Siesta, Preludio y Danza and Sinfonía Artigas.
He was a high school teacher and also named Honorary Choir Director for the National Institute for the Blind.
[citation needed] Mortet's grandfather was the French-Uruguayan composer and pianist Pablo (Paul) Faget [es].