Luk thung

Suphan Buri in particular became the center of luk thung music, producing many major artists, including Suraphol Sombatcharoen, and Pumpuang Duangjan.

Luk thung songs consist of poetic lyrics that often reflect the rural lifestyle, cultural traits and social patterns in Thailand.

Phleng Thai sakon continuously evolved throughout the time of King Rama V, and was showcased in numerous films and stage performances.

In 1939, Eua Sunthornsanan formed the first Thai sakon band, called Suntharaporn, using a number of classically trained musicians who had lost their royal appointments following the 1932 coup.

It is suggested that Phibun and his wife, La-iat, had observed rural "Ramthon" ("Drum Dance") performances while visiting Phetchabun province and surrounding areas.

[2] After World War II, Thailand experienced economic growth, which led to inflation within the country, including a severe shortage of supplies of rice.

In December 1964, Jumnong Rangsikul revived the show, and renamed it "Phleng Luk Thung" ("child of the field music").

Luk thung music gained massive national television exposure, leading to a rapid increase in the number of new artists and songs.

In February 1966, Somyot Thassanaphan became the first luk thung artist to win the Thai Royal Golden Disk Award, with "Chor Tip Ruang Tong" ("Divine Bouquet of Gold"), composed by Payong Mookda.

"Yom Mabarn Jao Ka" ("King of Hell") gained Buppha Saichol attention due to her depiction of opposing views towards the government, leading her to become one of the most successful artists of the period.

[citation needed] In more recent times, groups of backup dancers dressed in Western-influenced fancy costumes (known as haang kreung) have become an essential component in luk thung concerts.