[6] The practice has since developed its design reputation at a range of scales, from major commercial projects, landscape interventions, housing, memorial sculpture, and a bronze door handle for the manufacturer izé.
[20] In an article entitled Measuring Matter and Memory,[21] Lynch cites the writings of the American artist Robert Irwin to support his idea of creativity as mental topography, and the role that imagination plays in forgetting the name of the thing that is seen.
The practice's first significant project, Marsh View in the wetlands of Norfolk, remodeled a bungalow to create a two-level house whose unusual form was anchored to a mound-like chimney corner.
The Kingsgate House scheme in Victoria, for developers Land Securities,[22] replaced a massive slab-block in central London with two new buildings and urban landscaping.
The practice's competition-winning scheme for Barking Abbey Green[31] will create a series of structures whose abstracted forms are derived from the deeper history of the site.