Formed in 2003 by French drummer and DIY electronic musician Benjamin Brejon (an ex-student of free jazz percussionist Sunny Murray ) and polyglot Portuguese vocalist Adolfo Luxúria Canibal, frontman of cult Portuguese rockers Mão Morta, the morphing line-up of Mecanosphere also congregates members of the American Radon Collective, such as tribal percussionist Scott Nydegger and saxophonist Steve Mackay (of The Stooges) as well as bassist Henrique Fernandes and drummer Gustavo Costa, all from the experimental scene of Oporto.
Mécanosphère combines elements of sonic hip hop, bass-heavy dub, violent noise, collage art, chaos rock and industrial free jazz with a strong textual and old school sound poetry component, claiming authors such as J. G. Ballard, Gilles Deleuze, Peter Sloterdijk, Bernard Stiegler or Velimir Khlebnikov as influences on both the method and the issues of their work.
The polyglot text (a constant permutation of French, Portuguese and English) as well as the texture of their sound (several drum kits, electric double bass, electronic percussions, vintage synthesizers, tapes, live loop recorders, and dysfunctional sound generators of varying kinds) demonstrate the originality of Mécanosphère.
Each of their rather rare public appearances is a creation of its own and they have made it clear that they consider the live performances unfit for a repetitive touring format.
The 2004 "Bailarina" album (Independent Records), explores a more labyrinth-like territory, where heavy bass down tempo breaks, electro-acoustic sounds, hardcore, tribalism, apocalyptic drum and bass and abstract jazz scapes fusion with the deep throat, menacing narrative of Adolfo Luxúria Cannibal.