[2] Nate Patrin of Pitchfork commented "MU.ZZ.LE might be a transitional point on Gonjasufi's path and it shows just one face of an eclectic, multifaceted performer.

"[9] Jonathan Linds of PopMatters added "If A Sufi and a Killer introduced us to an engaging new presence, then MU.ZZ.LE is his first artistically cohesive statement: a bold first stab at playing with space and mood.

It’s a compelling reason to keep watching to see what he’ll do next, because if this is what Gonjasufi sounds like muzzled, we should all be very afraid when he finally decides to unleash.

"[10] Daniel Paton of musicOMH stated "However, dark and compelling though MU.ZZ.LE undoubtedly is, there is the niggling sense that this greater focus and narrow tempo range doesn’t really suit Gonjasufi.

"[8] Reef Younis of Clash wrote "Notably shorter than its predecessor, ‘MU.ZZ.LE’ is just as rich and arresting, cataloguing Sumach’s echoes, mumbles and stumbles through an album of lethargic trip hop and uneasy paranoia.