Maalaala Mo Kaya

Would You Remember?, abbreviated as MMK) was a Philippine television drama anthology series broadcast by ABS-CBN and Kapamilya Channel.

The program is named after the song "Maalaala Mo Kaya," originally by Constancio de Guzman.

The network's 25-year franchise, originally granted in 1995, had expired and the National Telecommunications Commission gave a cease and desist order.

The Philippine version of the anthology, entitled "MMK Klasiks," aired on ABS-CBN's Kapamilya Gold afternoon block as a temporary replacement program from December 17, 2012 to January 18, 2013.

As listed on the official website[24] of the show: "Rubber Shoes" "Sako" (Sack) "Regalo" (Gift) "Pier 39" (MMK's first out of the country episode aired on July 26, 2001 "Baul" (Chest) "Unan" (Pillow) (portrayal of Julie Vega's life story) "Sing-along Bar" (portrayal of Ai Ai delas Alas's life story) "Sa Kandungan mo, Inay" (My Mother's Lap) "Retaso" (Remnant) "Burda" (Pillowcase) "Lapida" (Gravestone) "Bisikleta" (Bicycle) In 2006, MMK marked their 15th anniversary on television by presenting a two-part special episode that stars Vilma Santos, Ricky Davao and Maja Salvador entitled “Regalo” (Gift).

[22][25] In 2007, MMK presented an episode of their 16th anniversary entitled “Rehas” (Jail) where actress Gina Pareño played the story of a mother who struggles to take care of her three mentally ill children in Aklan.

[28][29] In 2009, MMK celebrated their 18th anniversary by presenting five special episodes and four of which were filmed in the United States, in association with The Filipino Channel.

The episodes were taped in varying locations in the Philippines and abroad including Bukidnon, Palawan, Japan, and Barcelona, Spain.

[30][31] As part of the third anniversary of the program, a film version was created, produced by Star Cinema and directed by Olivia Lamasan.

[46] The first comic series was about the life story of Philippine comedian Chokoleit with art direction of Arnel Avetria.

It was illustrated by Mannie Abeleda and Jim Faustino, with tones and letters by Sandy Gonzaga, and edited by Lawrence Mijares.