He has been inspired by musicians such as Al Di Meola, Sylvain Luc, Pat Metheny, John McLaughlin, Keith Jarrett, Biréli Lagrène, Chick Corea and Ralph Towner.

[14][15] The critic Peter Bacon, writing in the Birmingham Post wrote "Their album, called Insight, was released last year and shows Pysz to be an exceptionally accomplished and wide-ranging musician on both acoustic and classical guitars.

[17] In late December 2014 he recorded his second album, A Journey with Yuri Goloubev, Asaf Sirkis and Daniele di Bonaventura at Artesuono Studio.

Of a performance in Newcastle, the reviewer Lance Liddle wrote “From the start it was obvious that this was going to be something special … Pysz had the audience enthralled.

The critic for Central and Eastern European London Review wrote "The genius of the quartet included achieving sounds both layered and deep with the efforts and skill of just four instruments or, at frequent moments, even fewer.

Ian Mann described their first performance at The Arena Wolverhampton as "An excellent showing from Neame and Pysz, and I'm certain that their already impressive rapport will continue to develop.

Of one of their performances in Biot, France a critic said “One Million Faces offers stunning music, open, both avant-garde and very accessible...”.

[28] Bruce Lindsay in All About Jazz wrote "Pysz favors a crystal clear acoustic sound, delicate yet precise finger-work and fluid melodies.

"Those Days" is a fine opening track: Pysz' lead lines are forceful and upbeat, his rhythm playing full-toned.

"[1] In London Jazz News, John Watson wrote of a performance in March 2017 "However impressive his technique may be, it is certainly not “showy” – everything is at the service of creative expression.

[7] Peter Bacon in The Jazz Breakfast wrote "Maciek Pysz himself plays both acoustic and classical guitars, though so rich is the recording quality and so varied the sounds he manages to get that you’d swear sometimes there was electricity involved.

[31] Marcin Pulawski in Laboratorium Muzycznych Fuzji wrote of the painterly qualities of the music, of the shadows and light, warmth and colour, which give the listener a sense of truth and beauty.

"There’s a delicate humanity to the atmosphere throughout, sometimes touching on Pat Metheny territory by cleverly harnessing complex acoustic melodic lines underpinned by a very emotion-laden but uncloying sense of harmony.

"[34] In London Jazz News, Adrian Pallant wrote "the crisp balance of sound and space in this recording is flawless.

London Stories was awarded 5 stars by Lance Liddle who wrote "There won't be many if any, better guitar albums either side of the Atlantic this year."