The critic Stephen Graham proclaimed "an album that announces a major new presence on the jazz guitar scene".

[1] Peter Bacon in The Jazz Breakfast wrote "Maciek Pysz himself plays both acoustic and classical guitars, though so rich is the recording quality and so varied the sounds he manages to get that you’d swear sometimes there was electricity involved.

"[4] Jack Massarik in Jazzwise described it as "melodic music played with sensitivity and conviction in a style that borrows more from folk and contemporary classical music than jazz..."[5] Adam Baruch praised the sound quality of the album, stating there is "an astonishing sonic ambience" and awarded the album four stars out of five.

[6] In Jazzitalia, Gianni Montano described "catchy melodies...harmoniously developed" with simple music deceptive only in appearance, and where the search for particular nuances and tonal gradation are expressed in a coherent and consistent expansion.

[8] Marcin Pulawski in Laboratorium Muzycznych Fuzji wrote of the painterly qualities of the music, of the shadows and light, warmth and colour, which give the listener a sense of truth and beauty.