Maddalena Allegranti (1754– after 1801) was a pupil of Holtzbauer of Mannheim, and appeared for the first time at Venice in 1771.
After singing at other theatres in Italy, she went in 1774 to the Holy Roman Empire, where she continued to perform at Mannheim and Ratisbon till the year 1779, when she returned to Venice.
[1] Her voice, though thin, was extremely sweet, of extraordinary compass upwards, and so flexible as to lead her to indulge in a flowery style of singing which had then the merit of considerable novelty.
But it was soon found that there was a great sameness in her manner and embellishments, and she became gradually so disregarded, by the end of her second season, that she went to Dresden, where the Elector engaged her at a salary of a thousand ducats.
Never was a more pitiable attempt; she had scarcely a thread of voice remaining nor the power to sing a note in tune: her figure and acting were equally altered for the worse, and after a few nights she was obliged to retire, and quit the stage for ever.