His first American ancestor was James Babcock (1612–1679), a native of England, who emigrated in 1642, settling first at Portsmouth, Rhode Island and then in Westerly, where his descendants became prominent.
He was described as having "an unusually brilliant intellect and stirring oratorical powers that commanded admiration, [that] won for him a foremost place among the favorites of his denomination".
[8] So popular was he that many prominent Baltimoreans, including the faculty of Johns Hopkins University, unsuccessfully implored Babcock to remain at Brown instead of accepting the call to Brick Presbyterian Church.
He was a clear thinker and a fluent speaker, with a marvelous personal magnetism which appealed to all classes of people, and the influence of which became in a sense national.
"Nothing better gauges the tenor and spirit of the man than a sentence found on the fly-leaf of his pocket Bible after his death: 'Committed myself again with Christian brothers to unreserved docility and devotion before my Master'.
He wrote a number of fugitive poems, said to resemble those of Emerson, which were published in connection with a memorial volume of extracts from sermons, addresses, letters and newspaper articles, entitled 'Thoughts for Every-Day Living' (1902).
According to a New York Times report of May 20, 1901, and widely carried by newspapers coast-to-coast, he committed suicide by slitting his wrist and ingesting "corrosive sublimate" (mercuric chloride).
[11] At his funeral in New York City, the presiding clergyman eulogized him, "We do not need a candle to show a sunbeam...The work our brother has done — the life he lived speaks for him.
[12] When Babcock lived in Lockport, he took frequent walks along the Niagara Escarpment to enjoy the overlook's panoramic vista of upstate New York scenery and Lake Ontario, telling his wife he was "going out to see the Father's world".
[1] Now sung as a well-known hymn, its verses are: This is my Father's world, and to my listening ears all nature sings, and round me rings the music of the spheres.
This article incorporates text from the 1910 edition of The National Cyclopædia of American Biography, Supplement I, a work which has passed into the public domain.