[1] It is thought that the caves were positioned on natural trade routes, formed by passes leading from the coast to the basaltic plateau of the Western Ghats.
[3] The Chaitya-hall on the Manmodi hill is said to belong to the period of the Western Satrap ruler Nahapana, as is the case for the Great Chaitya at Karla Caves.
[6] Over the opening of the entrance, the place usually occupied by the window is divided fan-wise into seven petal-shaped compartments with a semi-circular centre, round the edge of the inner member of which is an inscription, in one line, of Brahmi characters.
"The meritorious gift of the façade of the (gharba) hall by the Yavana Chanda"In the middle compartment of the larger semi-circle is a standing female figure with a lotus flower on each side, the next compartments have elephants standing on lotus flowers and holding water-jars, as so often represented beside the figures of Sri or Lakshmi on old Buddhist works.
The style of art in which the figure of Sri Lakshmi is here represented is so similar to that employed for the same purpose at Bharhut, that there can be little doubt that they are of about the same age.
Right and left of these are dagobas in high relief, but roughly formed; and on the right of the arch is a tree with objects hanging in it, but it has never been quite finished, parts being only outlined.
It would, however, have been very difficult to execute such a seven-leafed flower as this, in pierced work, even in wood, but it was an artistic mistake to introduce it above the real constructive opening, on a false front, as is done in this instance.
The system here begun was afterwards carried to an extreme issue in the Gandhara monasteries, where figures were introduced everywhere, and the architecture only used as a frame such as we employ for pictures.
Though its employment here is a solecism, this bas- relief is one of the most interesting pieces of sculpture for the history of the art, to be found in the whole range of the western caves.
These columns are of the style occurring at the Ganesa Lena, with water-pot bases and capitals; but otherwise this cave is quite unfinished: the aisles have not been commenced; the capital of the dagoba is roughly blocked out, and portions of a square mass of rock from which to hew out the dome of it; but a great fault in the rock at the back of the cave seems to have stopped further operations.
At the east side of it is a cell, also deep in earth, in which is a dagoba, the chhatri or umbrella carved on the roof, but the staff has been broken, evidently with a view to convert it into the usual Saiva emblem.
ḍhi maṭapo cha puñathaya vase 46 kato[16][15] "The meritorious gift of a mandapa and cistern by Ayama of the Vatsa-gotra, Prime Minister to the king, the great Satrap, the Lord Nahapana, made for merit, in the year 46."
Scrambling along the face of a precipice to the south, one can reach first a small vihara without cells or carving, then another cave with two octagonal pillars in the front of the verandah, and two engaged ones at the ends rising from a bench.