At a young age, it was discovered that she had a talent for drawing,[2] which compelled her father to hire a painting tutor to help her work to her potential.

Mansooreh left Iran in the early 1950s to live in Italy, where she furthered her education at the Rome Academy of Fine Arts leading up to her artistic début at the 28th (XXVIII) Venice Biennial in 1956.

After a moderately successful period in Italy, Mansooreh returned to Iran in 1959 and won several awards in the Tehran Painting Biennial.

Then she moved to her critique of Novin’s work:"Expression of Silence, was a poetic designation for Guity’s exhibition in the Negar Galley."

The choice of colours, selection of gradation of hue, which explicitly used more-or-less the same tonality in all the works, revealed the story of artist’s unfaltering and inquisitive mind.