Furthermore, he moved to Colombia and began teaching philosophy of language at the state University of Valle in Cali; he also joined the Conservatory Antonio María Valencia as the dean of music faculty.
At the UPR, Dr. Marc Passerieu dit Jean-Bernard taught Humanities, Aesthetics of Architecture (Master's degree), Theory and Practice of International Diplomacy.
I. Filosofía y estética musical,2012), implied the commentary of thinkers as Wittgenstein, Merleau-Ponty, Schopenhauer, Nietzsche, Adorno, Vladimir Jankélévitch, Gabriel Marcel and Roger Scruton.
In his writings and conferences, he develops methodologically the clear conceptual grammar of the term intentionality, unifying rigorously its phenomenological and cognitive meaning.
In his musical or philosophical essays and papers, Jean-Bernard stressed the relevance of values in the aesthetic experience considered as a counterpoint of hermeneutic gestures.
Considering the non-representational and representational semantics of these fields, the temporization and spatialization gestures implied in design and composition embrace the entire sphere of dwelling in a given world, what we call an esthetical oikonomia.
This connection between temporality and spatiality is exposed through recent examples, where axiological and "immunological" claims of a harmonic world are creatively expressed.
These paradigmatic topics, focused on architectural design and musical compositions, are chosen between contemporary works from European, Japanese, North, and South American cultures.
Phenomenological, grammatical, and cognitive approaches of today’s aesthetic endeavor induce a corresponding insight into the role of effective intentionality in ethics.
Responsibility, linking Wittgenstein to Emmanuel Levinas, Jacques Maritain and Jankélévitch emphasizes his own exigent core of an infinite philosophical télos and ethical duty.