Marc Restellini

Through more than 10 years, he developed a system for roving exhibitions that enabled the production of ambitious projects, while remaining accessible to wide audiences in Asia and Europe.

[10] His solo shows (Soutine and Utrillo-Valadon), his themes (Pollock and Shamanism, Giacometti and the Etruscans), as well as his showcasing of unusual pieces (Chinese and Mexican national treasures) ensured [11][12] the success of the Pinacothèque de Paris.

[citation needed] The Pinacothèque de Paris closed in 2016, citing dwindling visitor numbers and inability to compete against state-owned museums.

[16] As a result, the company managing the Pinacothèque, Art Heritage Singapore, of which KOP Group, Alain Vandenborre and Yves Bouvier were stakeholders, was sued for $900,000 in damages incurred by businesses attached to the project.

Other techniques, such as the systematic use of infra-red plates, or digital processes of "fake colors", complete this corpus to achieve a degree of precision of analysis really innovative in this field.

[23] In late 2019, the Court of Auditors in Florence opened an investigation into the financing of the Amedeo Modigliani exhibition in Livorno, of which Restellini was the main organizer and curator.

[24] Public authorities seek to verify whether the tax-free payment of €1.25 million from Livorno municipality to an account in Dubai to finance the exhibition was unlawful.