Marcello Aitiani

Graduated in Law, at the same time he dedicated himself to research in the field of visual arts and music, and telematic communication.

At the end of the eighties, Aitiani joined the Florentine artistic current, which has been active since the end of World War II up to the present, including Sylvano Bussotti, Giuseppe Chiari, Giancarlo Cardini, Albert Mayr, Sergio Maltagliati, Daniele Lombardi, Pietro Grossi.

These artists have experimented the interaction among sound, sign and vision, a synaesthetics of art derived from historical avant-gardes, from Kandinskij to futurism, to Scrjabin and Schoenberg, all the way to Bauhaus.

In painting and in the plastic arts, in music, in writing, he worked by putting these individual disciplines in mutual interaction.

[5] Starting from 1984, he became interested in the nascent phenomenon of new digital technologies, sensing the extent of the practical and thought revolution that they would soon bring about, and came into contact with musicians like Pietro Grossi, Albert Mayr, Francesco Giomi.