He spent his professional career teaching Italian at Vanier College in Montreal, but was also involved in community and political activities as a spokesperson for immigrant issues.
Micone wrote and staged his first French play, Gens du silence in 1980 and became a voice for the voiceless Italian immigrants of Quebec.
Micone's dialectical style took a feminist turn with Addolorata staged in 1983 published in 1984, a play that focuses on the condition of immigrant women.
The third play in Micone's trilogy, Déjà l'agonie staged 1986, published 1988, has a pessimistic tone as it considers the lost culture of the immigrant and the abandoned villages in Italy.
Micone also published many magazine articles which engage in the controversies of Quebec politics and the conditions of immigrants in a nationalist society.