Harvey has shown work internationally in many exhibitions including "The Führer's Cakes" at Galleria Marabini in Bologna, "Snaps" and "White Riot" at White Cube in London, "Sex and the British" at Galerie Thaddaeus Ropac in Salzburg, "Crucible" a sculpture exhibition held inside Gloucester Cathedral, and "London Calling: Young British Artists Criss-Crossed" at Galleri Kaare Berntsen in Oslo.
Beyond the studio, Marcus Harvey joined with fellow painter Peter Ashton Jones to form Turps Banana Magazine in 2005.
"[2] Harvey is known for his tabloid-provoking 9 by 11 feet (2.7 by 3.4 m) portrayal of Moors murderer Myra Hindley, created from handprints taken from a plaster cast of a child's hand, and shown in the Sensation exhibition at the Royal Academy of Art in 1997.
The painting had to be temporarily removed from display for repair after it was attacked in two separate incidents on the opening day, in which ink and eggs were thrown at it.
[3] The Times newspaper's art critic, Richard Cork, wrote that: Far from cynically exploiting her notoriety, Harvey's grave and monumental canvas succeeds in conveying the enormity of the crime she committed.