Marek Weber

Beginning in the early 1920s he and his orchestra began to make recordings, first for the Carl Lindström Company (under the "Parlophon" label), and later for Deutsche Grammophon.

During this period he was one of the foremost recording artists in Germany, on a par with Paul Godwin, Efim Schachmeister, Ben Berlin and Dajos Béla.

Weber's musical tastes were conservative, and during the early years his orchestra was known for playing Viennese waltzes, two-steps, and other subdued styles.

[2] However, as a bandleader he had no choice but to incorporate modern styles into his program, and occasionally yield the floor to jazz solos and improvisational riffs, albeit under protest.

[3] Despite his personal distaste for the new style, his band included some of the strongest jazz talent in Germany, notably the trumpeters Arthur Briggs and Rolf Goldstein, the pianist Martin Roman, and the banjo player Mike Danzi.

Weber in 1934
Marek Weber Orchestra
Polygoon Film (Amsterdam, 1930)