Her 2015 installation at Triangle France, titled Sculptures, recreated to scale all 15 of the artist studios she maintained over the course of her career.
Writing in Mousse Magazine, Tenzing Barshee notes that, in keeping with Honda's "nonlinear and atemporal approach to history," her use of biographical elements "do[es] not stem from a project of nostalgia but rather from an active engagement with historicity, continuously interweaving different points in time to produce work infused with the present.
Artforum critic Nick Pinkerton writes, "Running the length of a single reel of wide-gauge stock, the film follows exactly the eponymous trajectory, chameleonically transitioning across the visible light spectrum, from violet to red and back again, beginning and ending in black.
The simple effect, achieved using a contact film printer, is something like a prismatic sunset in a distant galaxy ...
Writings (2015), co-published by Triangle France and Künstlerhaus Bremen, is a collection of Honda's descriptions of her work.