After spending 3 years in her father-in-law's parental home in Hoffenheim / Sinsheim (Germany), her husband was appointed architect in 1952 to the Mannheim Building Authority.
[8][9] Galerie Margarete Lauter 1963–1967 The first gallery space was located in Mannheim, Bismarckstrasse at the square L 15, 7–9, near the main train station, from 1963 to 1967.
The guests were welcomed at the opening of the exhibition by the mayor of the city of Mannheim and friend of Margarete Lauter, Hans Reschke.
[18] In other exhibitions Lauter has shown works by: Uwe Lausen (1964–1965),[19] Magie du banal[20] (1965),[21] Zoran Antonio Mušič (1965), Natalia Dumitresco (1965, 1971),[22] Rudi Baerwind and Georges Noël (1965),[23] Pierre Clerc (1965–1966)[24] together with art and cult objects from Africa (1965–1966, 1968),[25][26] Syn: Bernd Berner, Rolf Gunter Dienst, Klaus Jürgen-Fischer, Eduard Micus, Marc Vaux (1966),[27] Alexandre Istrati (1966, 1975),[28][29] Karl Fred Dahmen (1966, 1969, 1972)[30][31][32] Luciano Lattanzi and Werner Schreib (1966,[33] 1974,[34] 1988),[35] Divergenzen 66: Otmar Alt, Francisco Cuadrado, Jean-Luc Guerin, Dieter Krieg, Jobst Meyer, Manfred Mohr, Walter Montel, Rainer Negrelli [de], Marcel Robelin,[36] Georg Meistermann (1967),[37] Jaroslav Serpan (1967).
[3] Here she realised amongst others exhibitions by: Jaroslav Serpan (1967, 1978),[40] Amadeo Gabino (1967, 1970, 1982, 1990),[41] Erwin Bechtold (1965, 1968, 1973, 1979, 1984, 1989, 1992),[42] Shusaku Arakawa (1968,[43] 1986[44]), Louise Nevelson (1968[45]), Otto Herbert Hajek (1968, 1977, 1989),[46] Gianfranco Baruchello (1969),[47] Otmar Alt (1969, 1981),[48] Manuel Rivera (1970),[49] Karl Prantl (1970),[50] Rolf-Gunter Dienst (1970),[51] Dieter Krieg (1970, 1988),[52] Wilhelm Loth (1970),[53] Manolo Millares (1971),[54] Reipka - Paluzzi (1971),[55] KRH Sonderborg (1972),[56] Rolf Kissel (1972, 1976, 1979),[57] Op Art & Kinetik:[58] Narciso Debourg, Heinz Mack, Louis Tomasello, Günther Uecker, Jean-Pierre Yvaral (1973),[59] Herrmann Goepfert (1974, 1992),[60] Erwin Heerich (1974),[61] Accrochage 74 (1974)[62] Otto Piene (1975, 1992),[63] Alexandre Istrati (1975),[29] Adolf Luther (1975, 1989),[64] Pierre Alechinsky (1976),[65] HA Schult (1976),[66] Gustav Seitz (1976, 1989),[67] Miguel Berrocal (1976),[68] Antoni Tàpies (1977),[69] Robert Motherwell (1977),[70] Joan Miró (1978),[71] Serpan (1978),[72] Robert Häusser (1978),[73] Antonio Saura (1979),[74] Georges Mathieu (1980),[75] Georges Noël (1980, 1984),[76] Erich Hauser (1980),[77] Heinz Mack (1981, 1985, 1992 ),[78] Hans Hartung (1981),[79] Victor Vasarely (1982/83),[80] Roberto Matta (1983),[81] George Rickey (1983),[82] Antonio Saura (1985–86),[83] Rafael Mahdavi (1987),[84] Karel Appel (1987),[85] Ger Lataster (1987/88),[86] Werner Schreib (1988),[87] Adolf Luther (1989), Victor Vasarely (1989), COBRA (1990),[88] Yaacov Agam (1989/90).