Mari Hakikat

[4] After his death in 1886, his friend Navalram Pandya published a biography of Narmad, Kavijivan (1880) which was based on the autobiography.

It was page number 60 to 132 of Narmagadya: Book 2: Issue 2, printed by Union Press, owned by his friend Nanabhai Rustomji Ranina.

As Narmad's only son Jayshankar died in 1910 without any heir, he had assigned the management of his father's works to his friends, Mulchand Damodardas Mukati and Thakordas Tribhuvandas Tarkasr.

[4] Kanaiyalal Munshi had published a few chapters in Gujarat magazine in 1926, but stopped when the copyright holder, Gujarati Press objected.

Narmad had started keeping notes in 1854, and written the first draft based on information told to him by his father and relatives, papers available in his home, his expense book and his memory.

When Gujarati Press closed operations, they deposited one of his limited copies printed in 1866, with proofreading notes by Narmad himself, at M. T. B.

They researched original manuscripts, limited copies and earlier editions, also examining all the literature of Narmad and extracting writings and letters that were autobiographical in nature.

It covers his birth, his parents and relatives, his education, his formative years, his reformist stand, his rise and career.

The fourth section covers appendices which include scans of his and his companions' writings, legal documents, notes and timeline.

"And apparently, he has frankly written about his cowardice, his calf love, his attempts to attract women, his dislike of his contemporary poet Dalpatram and their clash, his conflict with his father, how he once arranged a musical concert at his residence under depression and spent five hundred rupees for it, his financial crisis, betrayal by friends, his private love affairs, etc.

The book gives clear picture of Narmad's personality, his egoism, hypersensitive nature, generosity and extravagance.

[5] Chandrakant Topiwala has highlighted candidness, honesty at the expense of narrative and efforts of introspection as major elements of the autobiography.

By knowing it, we will celebrate your courageous and honest book in Gujarati literature and will continue to tribute you by reading it.

[6] However Gujarati critic, Vishwanath M. Bhatt noted that Narmad's autobiography lacks coherence, order and the sense of discrimination about what to write.