She is widely regarded in modern Indian historiography as exemplifying both Akbar's tolerance of religious differences and their inclusive policies within an expanding multi-ethnic and multi-religious empire.
[50][51] Mariam-uz-Zamani's identity has been throughout centuries falsely inferred as Christian primarily on the pretext of her title, 'Mariam', and the absence of her background details from official Mughal chronicles giving rise to speculation about her race and religion.
Additionally Khulasat-ut-Tawarikh, a chronicle written in the Mughal era, explicitly states Mariam-uz-Zamani as a daughter of Raja Bharmal, therefore putting end to the supposition of her being a Christian.
"[29] The marriage, thus, a political one, took place amidst proper festivity on 6 February 1562, while Akbar was on his way back to Agra from Ajmer (after offering prayers at the tomb of Moinuddin Chishti) at the imperial military camp in Sambhar, Rajasthan, instead of the bride's natal home.
[60] Views of eminent historians about their marriage: "Bihari Mal gave rich dowry to his daughter and sent his son Bhagwan Das with a contingent of Rajput soldiers to escort his newly married sister to Agra as per Hindu custom.
""The heavenly reward, was not long in coming... Raja Bihari Mal of Jaipur arrived to seek a military alliance with the Mughals, and in the pledge of his loyalty, offered his eldest daughter in marriage to Akbar.
The Emperor, still under the spiritual spell of Ajmer, thought the offer part of some grand design of the Khwaja and accepted it without hesitation... Jodha Bai entered the harem as a Hindu, not as a Muslim.
It symbolized the dawn of a new era in Indian politics; it gave the country a line of remarkable sovereigns; it secured to four generations of Mughal Emperors the services of some of the greatest captains and diplomats that medieval India produced.
[46] She is illustrated to wear heavy, swinging, and gathered ghagra which would stop well above her ankle and a tightly fitting choli, tied at back with tasselled strings.
[46] Cohen suggests that by including the textiles like bandhani in the royal paintings made in the region near the birthplace of Maryam Zamani, Akbar and Jahangir might be acknowledging her importance.
Grief struck, Akbar took Mariam-uz-Zamani along with him after their sons' demise on his campaign, and during his return to Agra, he sought the blessings of Salim Chisti, a reputed Khawaja who lived at Fatehpur Sikri.
[86][87][88] While meeting the empress after the birth of Salim, Akbar presented her with jewellery worth one lakh gold coins and gave a 'Rajvanshi pat' on her head expressing love.
[2] The ranks of Raja Bhagwant Das and Man Singh were raised by two thousand horses each, and they were presented with robes of honour graded next only to those bestowed upon members of the royal family.
As stated by Abu'l-Fazl ibn Mubarak in Akbarnama, she's described as both intellectual and tactful and is termed as an auspicious lady having lights of chastity and intellect shining on her forehead.
We ignore the cultural, culinary, artistic, and religious impact of this Rajput queen, reducing her instead to the usual, tired trope of a love interest of the central male figure.
[46] During the Gujarat campaign when her brother Bhopat had fallen in the battle of Sarnal, Akbar sent Mariam-uz-Zamani, who was travelling with him, to her native town Amer to pay condolences to her parents.
Since his early youth, he is said to have complimented his Hindu wives by ordering the continuous burning of the hom and later himself adopted this practice when he established his religion in latter part of his years, ‘Tawhid-i-illahi’.
In order to gain the love of his Hindu wives and their goodwill, Badayuni notes, he abstained entirely from everything which was a natural abhorrence to them and took it as a mark of special devotion to himself if men shaved their beards so that it became common practice.
[46] One of her intercessions in the inclination of his son include in May 1603, when Akbar suggested that Salim should undertake a military expedition for chastizement of Rana Amar Singh who was making encroachments on Mughal territories in Rajasthan.
The ladies of the harem, Mariam-uz-Zamani and Salima Sultan Begum requested the Emperor not to press the matter, and let Salim continue to live under his eye at the court.
Muni Lal claims, 'the taming of the temperamental Salim bristled with complications, especially when Mariam Zamani and Salima Begum took into their scheming heads to leave no design unused to win freedom for their Baba.
[144] William Finch, on the other hand, struggled to sell the acquired indigo in Lahore and had come to the conclusion that the prospects of English trade in India were hopeless.
[145][146] William Finch's hasty decision to outbid the charismatic Mariam-uz-Zamani had catastrophic consequences for the immediate future of the East India Company at Jahangir's court.
[46][18] The repercussions were so severe that in 1612, English Captain Jourdain noted, " the Queen's ship, the Rahimi, was bound for Mocha, & the [local] merchants would not lade their goods aboard until wee [Europeans] were gone from the country.
[149] William Hawkins noted that on 1 February 1609, he witnessed a great stirre touching the Mariam-uz-Zamani's ship as it prepared to carry goods to Mocha, an Arabian port south of Mecca at the Red Sea's entrance.
This was an unusual situation, demonstrating the great cultural upheavals and the tectonic changes that were shaping the Mughal empire: this was a Hindu queen's Muslim ship, carrying Hajj pilgrims in Christian waters patrolled by the Portuguese armada.
[163] The Portuguese capture of Mariam-uz-Zamani's ship thus served to bring about a major change in the relationship between the two governments and was, by a fortunate accident, a substantial windfall for the English.
[172] A marble inscription on the gate of the baoli (step-well) dates it to the seventh year of Jahangir's reign (1612); it was thus built at the same time as Begum Shahi's mosque at Lahore.
The mosque remained frequented for prayer by the Mughal nobility and the common man alike for more than two hundred years until it was turned into a gunpowder factory by Ranjit Singh.
The step-well consists of a gate, four flights of stairs leading down to the water level and a well-shaft at the farther end of the main axis, all constructed in red sandstone.