In the late 15th century, Romans accidentally unearthed Nero's Domus Aurea on the Palatine Hill, a series of rooms, decorated with designs of garlands, slender architectural framework, foliage, and animals.
According to tradition, Praeneste's sacred spring had a native nymph, who was honored in a grotto-like watery nymphaeum.
They were built by exploiting the morphology of rocks and boulders, to create rooms with a cool climate suitable for food, particularly milk and cheese, as well as potatoes, sausages, and wine storage.
[6][7] The importance of these cellars is demonstrated in their number; for example, there are 40 grotti in Maggia, no fewer in Moghegno, and about 70 in Cevio behind Case Franzoni.
Some grotti have been opened to the public, as in Avegno, but most have lost their original character as they became rustic restaurants which serve basic local food and drink.
Two famous grottoes in the Boboli Gardens of Palazzo Pitti were begun by Vasari and completed by Ammanati and Buontalenti between 1583 and 1593.
At Pratolino, in spite of the dryness of the site, there was a Grotto of Cupid (surviving), with water tricks for the unsuspecting visitor.
Inside, they are decorated as a temple or with fountains, stalactites, and imitation gems and shells (sometimes made in ceramic); herms and mermaids, mythological subjects suited to the space; and naiads, or river gods whose urns spilled water into pools.
The grotto designed by Bernard Palissy for Catherine de' Medici's château in Paris, the Tuileries, was renowned.
[13] Scott's Grotto is a series of interconnected chambers, extending 67 ft (20 metres) into the chalk hillside on the outskirts of Ware, Hertfordshire.
Built during the late 18th century, the chambers and tunnels are lined with shells, flints, and pieces of colored glass.