[5] A native of Hungary, Marianne Csaky currently lives and works in Budapest and Brussels, and has spent longer periods of time in Seoul,[6] Korea, the United States, France[7] and Germany as a resident artist.

In her early works - sculptures made out of pieces of waste wood and plaster - language, desire, subjectivity and the androgynous nature of soul and mind were in the focus of her interest (Aphrodite Urania, 1995, Feast,[9] 1990).

In these works she started to use the love scene, a depiction of sexual intercourse as a visual metaphor or rather metonymy of human subjectivity and the language of desire (Aphrodite Urania, Hands and Soles,[10] 1995, Slanting Space, 1997).

Chopping boards with carvings of scenes of sexual intercourse hung from the ceiling of the gallery, swinging and turning gently with the slightest movements of the air.

This mirror reflects the light from a light-bulb fixed to the wall above the frame, and illuminates the scenes from behind, making the negative images visible.

Madonna (2008) and Queen (2008) in Time Leap – Stitched Photos series also based on old negatives from the family collection depicting prearranged dressed up scenes.