Marianne Hirsch

[4] She was also one of the founders of the Women's Studies Program at Dartmouth, and served as Chair of Comparative Literature for a number of years.

[10] The term was originally used primarily to refer to the relationship between the children of Holocaust survivors and the memories of their parents, but has been expanded over time.

"[12] Historian Guy Beiner has criticized the extent of the use of the term in Memory Studies and suggested alternative ways in which it can be re-conceptualized as a more challenging analytical category.

[14] Hirsch's newest monograph, co-authored with Leo Spitzer, is School Pictures in Liquid Time: Reframing Difference (University of Washington Press, 2019).

Her other books include The Generation of Postmemory: Writing and Visual Culture After the Holocaust (Columbia University Press, 2012), Ghosts of Home: The Afterlife of Czernowitz in Jewish Memory, co-authored with Leo Spitzer (University of California Press, 2010), and Family Frames: Photography, Narrative, and Postmemory (1997).