[2] After graduating in 1980, Mendoza began his literary career, combining writing with teaching and working with various print media, including Journal Bacánika and El Tiempo Newspaper, Colombia.

Mendoza won the Seix Barral prize Premio Biblioteca Breve in 2002 for his novel Satanás.

[4] In Mendoza's triptych [Scorpio City (1998), El Relato de un Asesino (2001) and Satanás (2002)], the city of Bogotá is a dark muse whose beauty is dark because it condenses the infernal and the sacred, the criminal and the virtuous, the disgusting and the desirable, the painful and the pleasant.

Since writing proposes a hyper visceral aesthetic, which fears do not travel intricate regions of the human psyche, or skirting the limits of madness.

"[5] Mendoza has been a literary advocate for the city of Bogotá for over 20 years, tracing in his novels the neighborhoods, bridges, schools, streets, universities, parks and the changes that the capital of Colombia has experienced in recent decades.