[4][5] His work involves graphic novels, consisting of black and white pen drawings, and colorful paintings developed from imageries chosen from his books.

These myriad of often colliding perspectives fuel my exploration of American culture through the high and low visual languages of painting and comics to reveal a narrative that spells out our fabricated destruction.

[5] His solo exhibition, Some Monsters Loom Large, showed in Fredericks & Freiser, included installation of colorized reproductions of drawings found in the book as acrylic paintings.

[3] Early Retirement is a narrative that "revolves around Mr. Wolfson, a werewolf and Doomsday prophet in New York City's street prophecy scene, and The Drummer, one of the three heralds of the Apocalypse.

This work was influenced by the American presidential election of 2016, and his question regarding quest for utopia, and ways to join forces to go against the adversity in the United States of America.

His solo exhibition, Early Retirement, showed in Fredericks & Freiser, included installation of black and white ink drawings and colorized reproductions as acrylic paintings.

Villalongo wishes the exhibition will highlight "historical efforts within the medium to rebuff derogatory image culture with exceptional wit, beauty, and humor, to provide emerging, nuanced perspective on black humanity.

features works by 21 artists from the Black diaspora: Derrick Adams, Laylah Ali, Firelei Báez, Nayland Blake, Robert Colescott, Renee Cox, William Downs, Ellen Gallagher, Trenton Doyle Hancock, Lucia Hierro, Yashua Klos, Kerry James Marshall, Wangechi Mutu, Lamar Peterson, Pope.L, Kenny Rivero, Alexandria Smith, Felandus Thames, Hank Willis Thomas, Kara Walker, and Fred Wilson.

is an exhibition co-curated by William Villalongo and Mark Thomas Gibson showing a selection of their recent works heavily influenced by Eric Garner and the Ferguson protests.