Marleen Gorris

She began working as a filmmaker with almost no previous experience in the cinema and made an auspicious writing and directorial debut in 1982 with A Question of Silence.

[9] Some interpreted the film's feminist message to be about pent up "female rage"[10] and dissatisfaction with a patriarchal system that boiled over the surface while other claimed it went too far and couldn't be taken seriously.

The first of women working in a brothel called Club Happy House and the second of a woman kidnapped and starved to death by an unnamed man for his pleasure.

[16] Broken Mirrors explores female viewpoint and experiences just like A Question of Silence, though this time with a larger focus on the oppressive nature of the patriarchy and power dynamics within it.

Starring Willeke van Ammelrooy, the story of an independent woman and her female descendants was not as radical as the director's previous work, although a number of critics complained that the men in the film were portrayed as either ineffectual idiots or potential rapists.

[7] Her next film was Mrs Dalloway (1997), based on the novel by Virginia Woolf, with a cast that included Vanessa Redgrave, Natascha McElhone, and Rupert Graves.

Starring John Turturro and Emily Watson, it tells the story of the love affair between an eccentric chess champion and a strong-willed society woman.

Two years prior, she was diagnosed with a burnout after she had collapsed while on set shooting Tulipani, Love, Honour and a Bicycle.

[23] Her partner, Maria Uitdehaag, served in its production as first assistant director, and was mentioned by Gorris in her Academy Award acceptance speech.