[1][2][3] Kinder began her career as a scholar of eighteenth-century English Literature before moving to the study of transmedia relations among various narrative art forms.
Combining cultural history and theory with the sensory language of the cinematic arts, these database documentaries are presented as transmedia networks (museum installations, DVD, digital archives, on-line courseware, print catalogues, books).
Three Labyrinth projects were featured in Center for Art and Media Karlsruhe's "Future Cinema" exhibition in Germany in 2002: Tracing the Decay of Fiction: Encounters with a Film by Pat O’Neill (2002); Bleeding Through Layers of Los Angeles, 1920 – 1986 (2002); and The Danube Exodus: The Rippling Currents of the River (2002).
The latter work was an installation made in collaboration with Hungarian artist Péter Forgács, which premiered at the Los Angeles Getty Center in 2002 and is still touring worldwide.
Labyrinth's most recent work is Jewish Homegrown History: Immigration, Identity and Intermarriage, which is a presented both as an on-line archive where users can upload stories and images of their family and a museum installation featuring large-scale projections of home movies.