Martha Joy Gottfried

While attending Stephens College for women in Columbia, Missouri, she met her husband, Mario Héctor Gottfried, a pilot of the U.S. Army Air Corps.

Over the years, she continued learning from other well-known artists, among them: Irene de Bohus (1959–1962), Toby Joysmith and Juan O'Gorman, who shared his tempera techniques with her.

[6][8] Her production is vast and punctuated by a strong interest in mountain ranges, deserts and majestic Mexican volcanoes, like the Iztaccihuatl and Popocatepetl of Central Mexico.

In the words of the painter: "Distance, light, color, and vivid effect of these elements on a flat surface with pigments, is a continuous and enjoyable challenge.

[8] This inclination for exploring all the possibilities in landscapes, along with her many trips, whether by sea land or air, led the press to call her "painter of all seasons".

[22] She commonly used the "Ruben's technique" to paint,[8] "a monochrome oil sketch is done on canvas while on location and back in the studio details can be filled in".

[8] Her work, which includes hundreds of paintings and large-scale pieces, is significant to many art critics because, besides showing interesting ecological changes,[6] it presents "factual responses to the natural scene".

Martha Joy with Irene de Bohus in 1977.
José López Portillo receiving Martha's Joy painting in 1976.
The Duke of Kent receiving one of Martha's Joy paintings (1978).
Popocatépetl & Iztaccíhuatl (1997), by Martha Joy.
Autumn Sonnet (Grand Topilejo) (1995), by Martha Joy.
Fly by Popo (1994), by Martha Joy.
The Cliff (1994), by Martha Joy.
Nevado de Toluca (2008), by Martha Joy.
Martha Joy besides one of her paintings in 1995.