She has created music videos, billboard campaigns, episodic films, photographs, live performance artworks, and a satirical fashion magazine investigating identity as both a social construct and an authentic expression of self.
[9] Images from this series were shown in Disturbing Innocence, a group exhibition curated by Eric Fischl which took place at the FLAG art Foundation in 2014.
[11] Gutierrez's Real Dolls images were also included in the 2015 exhibition About Face at Dartmouth's Hood Museum, which explored how contemporary artists have investigated identity as a culturally constructed phenomenon.
[12] In 2014, Gutierrez created the photographic series Lineups, in which she is dressed and posed to blend seamlessly with groups of glamorous female mannequins staged in highly stylized tableaux.
The Brooklyn-based artist uses costume, photography, and film to produce elaborate narrative scenes that combine pop culture tropes, sex dolls, mannequins, and self-portraiture to explore the ways in which identity, like art, is both a social construction and an authentic expression of self.
She spent six years creating the work and premiered the final segment in 2016 in her solo exhibition We & Them & Me, at the Contemporary Art Museum, Raleigh, North Carolina.
It featured Gutierrez posing in an "advertising red" jumpsuit, exuding "withering sexual power alternating with hesitant vulnerability" and was positioned to be visible to those walking on the High Line.
[40] Gutierrez's interest in producing a body of work continuing the concept of #MartineJeans evolved into her satirical fashion magazine Indigenous Woman (2018).
[5][7] The art critic Andrea K. Scott wrote of the project, "The [magazine's] front and back covers are clearly modeled on Andy Warhol's Interview, down to the jagged cursive font that spells out the title.
Inside, a hundred and forty-six pages are filled with Vogue-worthy fashion spreads—and the ad campaigns that make them possible—featuring Gutierrez playing the roles of an entire agency's worth of models.
"[36] She collaborated with i-D in 2015, co-directing a music video with musician Ssion that stars Gutierrez alongside mannequins dressed in costumes by French designer Simon Porte Jacquemus.
[46] The sci-fi thriller casts Gutierrez as Eve, an alien held captive by a secret bio weaponry cooperation[dubious – discuss] known as Circle.
[50] Gutierrez has had acting roles in several Julio Torres projects, first as an impaled beauty pageant queen in Los Espookys (2022), then as a gallerist in Problemista (2023), then as Vanesja, a performance artist turned agent in Fantasmas (2024).
[57] Martine photographed the 'Interview Magazine X Carolina Herrera' collaboration and cover editorial with fashion editor Dara Allen featuring Symone, in 2021.
[60] Martine was featured in the Wallpaper cover story 'Creative America' celebrating 50 creatives "driving the current discourse on American culture and its dynamic evolution", photographed by duo Inez & Vinoodh.
[62] Her work is included in the publication, 'Queens in Antiquity and the Present: Speculative Visions and Critical Histories' edited by Patricia Eunji Kim and Anastasia Tchaplyghine, as well as, 'Queer Art: From Canvas to Club, and the Spaces Between' by Gemma Rolls-Bentley.