Martine Neddam

[4] Neddam began her career as an artist in 1988, creating text objects (banners, plaques, shadows on the wall) that were exhibited in museums and galleries.

[5] She also created large-scale public commissions in several European countries, including in the Netherlands, France and Great Britain.

Early works - Text objects and light sculptures Neddam uses language in a triangular relationship between the author, communication, and reader as the starting point for her installations and projects.

Neddam's sculptures are visually enhanced by the use of direct and personal language, adding depth and dimension to the artwork.

[6] In 1992, Neddam was commissioned to create a work titled 'Marche sur moi' (Walk on me) for the cupola of the Municipal Museum in Arnhem.

The wall text says in response: “Me too, me too …”[2] From 1993 to 2013, ‚La Scala’, a work which commissioned by the municipality of Haarlemmermeer, was installed on the roof top of the De Meerse Theater.

[9] It enables users to create a personal narrative by combining their own videos, images, text, and sounds.

The narrative is presented in a constantly evolving timeline as the user adds or edits content [10] In recent years, Neddam has abandoned the anonymity associated with virtual characters.