Mascha Mioni

[9] 1977–1988 Between 1977 and 1988 she showed her oil painting on canvas at group and solo exhibitions, until her textile art found greater recognition in a group-exhibition at the Landhaus Solothurn, Switzerland.

[12] 1998– Her long-standing friendship with the US-American sculptor Lawrence McLaughlin led to joint expositions of his sculptures and her oil paintings beginning in 1998 at the Gallery In der Loft, Dietlikon/Zurich.

2002 Several group exhibitions in Tiflis, Georgia, at the UNESCO in Paris, France[11] and in Italy made clear to her, that Wearable Art was best shown worn on the body in a performance.

[22] 2010 Besides the continuing work in oil on canvas and with mixed media, the curating of exhibitions for international artist friends like Shinzo Kajiwara, Tokyo, and Werner Bitzigeio, Winterspelt, Germany, she also created an installation on the Art Path along the young Rhine in Trun, Switzerland.

[23] 2013 She was part of a group exhibition together with Yoshiko Iwamoto Wada, Ana Lisa Hedstrom, Junichi Arai and other internationally acclaimed artists at the Hong Kong Polytechnical University, China,[24] and from August 2013 until February 2014 at the Jim Thompson Art Center, Bangkok.

[25] 2014 Her major projects In 2014 were two large installations "Lismete" (30x15x10ft) and "Dance of Life"[26] at the China National Silk Museum, Hangzhou,[27] while being Artist in Residence at the Jin Ze Art Center, in Shanghai during October and November.

Green Peace : Parachute-silk colored with Dupont-colors, folded, 1994, 12ft6in x 5ft3in, photo: Asy Asendorf, Zurich
Lismete : red and white Texaid plastic bags, cut, knitted, stretched, 20x10x10ft, installation at studio, photo: Carlos Rieder, Luzern