His style spread throughout Languedoc and as far as Catalonia thanks to its quality and stylistic originality.
He is noted for his use of sculpture fully in the round, a mannerist and elegant style with hair, beards and folds of drapery demonstrate the sculptor's virtuosity.
Most of his surviving works come from the Notre-Dame de Rieux chapel in the Cordeliers (Franciscans) convent in Toulouse (destroyed in 1804) where he worked for Jean Tissendier, a Franciscan from Toulouse who was bishop of Rieux.
Its sculptures are one of the most beautiful testimonies of Franciscan art and piety in the 14th century.
His works can be seen in the musée des Augustins in Toulouse and the ceiling bosses of Saint-Maurice de Mirepoix.