His style is awkward and unrefined, unlike the work of his contemporary, the Master of the Playing Cards.
The drapery in his prints is stiff, and there is only a limited suggestion of space, creating an illusion that the figures are floating in mid-air.
Most of the surviving work assigned to this Master is religious in nature; there is, however, a Battle Scene, a unique impression of which is housed in the Louvre in Paris.
This depicts a broad landscape with at least eighty soldiers, both mounted and on foot, in heavy combat.
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