His work deals with the intersection of nature and technology, combining everyday construction materials or consumer electronics in a way that may invoke chaos or disorder, or formalism and minimalism.
[citation needed] His distinct visual vocabulary, built from industrial materials, combines elegance and formality with roughness and spontaneity.
[citation needed] McCaslin regularly includes televisions, clocks, light bulbs, fans, outlets, cables and plugs in his sculptures.
[citation needed] Images, often of natural phenomena, presented on television monitors are seamlessly integrated.
By mixing materials, gesture, and locations, I hope to evoke feelings in the viewer of the world around them that are deeply rooted but can’t be simply placed.”[2] He has exhibited extensively in galleries and museums around the world, including New York,[3] Los Angeles, Buenos Aires, and Paris, among other US and international cities.