Maurizio Bensaude

Maurício (Moisés) Bensaúde (also known professionally as Maurizio Bensaude) (13 February 1863, in Ponta Delgada – 22 December 1912, in Lisbon), was a Portuguese operatic baritone.

In the 1893–94 and 1898–99 seasons, he was engaged at the Metropolitan Opera in New York, where he served as Amonasro in the debut of Aida.

He worked as a teacher and was active in the management of the Teatro de São Carlos in Lisbon, but he died two years after his farewell stage.

His repertoire for the stage included Enrico in Lucia di Lammermoor, Germont in La Traviata, Lescaut in Manon by Massenet, the Escamillo in Carmen, Marcello in Puccini's La Boheme, and Alfio in Cavalleria Rusticana.

"[4] Perhaps Bensaude was overshadowed by other developments; the Aida soprano Libia Drog was attempting to erase memories of her own unsuccessful New York debut two days earlier in Rossini's William Tell, when she was so stricken by stage fright that she froze onstage and was unable to perform,[1] and the Rhadames, Francesco Tamagno, drew critical reproval for "bawling" his part over the footlights.

Maurizio Bensaude
His wife, Spanish soprano Julia de Fano Bensaúde, from a 1908 publication.