Max Neuhaus (August 9, 1939 – February 3, 2009) was an American musician, composer and artist who was a noted interpreter of contemporary and experimental percussion music in the 1960s.

He performed as a percussion soloist on concert tours throughout the United States with Pierre Boulez (1962-1963) and Karlheinz Stockhausen (1963-1964).

In 1966, he published on Mass Art Inc. four live realizations of John Cage's Fontana Mix (1958), an indeterminate graphic score originally intended for a tape piece, with or without additional instruments.

As the work progressed, Neuhaus stopped leading the walks, instead sending postcards/stickers to audience members, that they can leave in their city.

[3] It is situated beneath a grate on a traffic island in Manhattan pedestrians are "enveloped by a deeply resonant and mildly undulating drone, its tone suggestive of low-pitched chimes or church bells.