Additionally the Menil receives public funds granted by the City of Houston, the State of Texas, and the federal government through the National Endowment for the Arts.
[2] The museum's holdings are diverse, including early to mid-twentieth century works of Yves Tanguy, René Magritte, Max Ernst, Man Ray, Marcel Duchamp, Henri Matisse, Jackson Pollock, and Pablo Picasso, among others.
It is governed by The Menil Foundation, Incorporated, a non-profit charitable corporation established in 1954 whose stated purpose was to promote understanding and culture, primarily through the arts.
Initially, the Foundation also pursued land banking to stabilize the neighborhood surrounding the museum, and structured the administration and operations of the collection.
The Menil Foundation began buying bungalow-style homes in the area in the 1960s, painting each the same shade of gray to establish a commonality.
The master site plan, by David Chipperfield Architects, calls for the creation of additional green space and walkways, a cafe, and new buildings for art.
[11] In January 2015, the Menil disclosed its plans to reuse the former consecrated chapel space as a site for long-term contemporary installation work.
The first exhibition in the reopened space is "The Infinity Machine", a new work commissioned by the Menil by Janet Cardiff and George Bures Miller.
[16] Johnston Marklee was selected to design it after winning a competition that also included David Chipperfield, SANAA and Tatiana Bilbao.
[18] Modestly scaled, the flat-roofed building tops out at 16 feet (4.9 metres), no taller than the neighboring gray bungalows on the 30-acre (12-hectare) campus.
[25] Until his departure in 2015, the Menil doubled its annual attendance, increased its endowment by almost 54 percent, and added more than 1,000 works to the collection, including pieces by Jasper Johns, Claes Oldenburg, Robert Rauschenberg, Richard Serra and Kara Walker.