May Buckley (née Uhl; December 15, 1875 – c. 1941)[1][2] was an American actress on stage from childhood into the late 1930s, and in silent films in 1912–1913.

[4] May Buckley was active on the Broadway stage, with roles in Hearts are Trumps (1900), Caleb West (1900), The Price of Peace (1901), A Japanese Nightingale (1903), The Shepherd King (1904), The Galloper (1906), The Right of Way (1907),[6] Cameo Kirby (1909–1910), Where There's a Will (1910),[7] The Little Damozel (1910),[8] The Unwritten Law (1913), Pigs (1924–1925),[9] These Days (1928), Tell Me Pretty Maiden (1937–1938).

[10] Buckley appeared in more than twenty short silent films in 1912 and 1913, including Paid in His Own, The Poor Relation, In Dis-a-Countree, Betty and the Doctor, Mother Love, His Wife's Mother, Rice and Old Shoes, Hello, Central!, The Sacrifice, A Complicated Campaign, Won by Waiting, The Railroad Engineer, Darby and Joan, The Honeymooners, A Modern Portia, The Runaways, What the Driver Saw, The Back Window, The Derelict's Return, Until We Three Meet Again, The Man in the Street, The Toils of Deception, and Miss 'Arabian Nights'.

[20] At the time of her marriage Buckley was appearing at the Elitch Theatre and the owner, Mary Elitch Long shared the event in her biography: "Walter Bellows led the beautiful bride to the altar of roses on the porch of my bungalow, where waited Mr. Walter Sabine...the man of her choice.

[22] In 1912, Buckley was sued by another actress (stage name of Camille Personi) for alienation of affections, concerning her co-star, actor John Halliday.